BY: HIMANGSHU RANJAN BHUYAN
The 1990s was a remarkable decade for Indian television, and at the heart of this transformative period was Doordarshan, the public broadcaster that became a cultural touchstone for millions. It was a time when the medium of television was in its nascent yet impactful stage, serving as the primary source of entertainment and information. Doordarshan’s programming in the 90s went beyond just shows; it was a shared experience that brought families together and left an indelible mark on society. Among its most iconic offerings were mythological epics like Ramayan and Mahabharat, which captivated audiences and played an essential role in shaping India’s collective consciousness.
The broadcast of Ramayan, directed by Ramanand Sagar, was a watershed moment for Indian television. Premiering in the late 1980s and running into the early 90s, the show transcended the boundaries of mere entertainment to become a cultural phenomenon. On Sunday mornings, streets would empty as families gathered around their television sets, treating the telecast almost as a sacred ritual. The storytelling, which brought the revered epic of Lord Rama to life, resonated with viewers across different demographics. The show’s portrayal of moral virtues, duty, and devotion reinforced traditional values and offered a narrative that appealed to the deep-rooted spiritual fabric of India.
Following the success of Ramayan, B.R. Chopra’s Mahabharat further cemented the role of mythological storytelling in Doordarshan’s programming. The tale of family rivalry, moral dilemmas, and epic battles captivated audiences and became a topic of national conversation. Its iconic opening chant, “Main Samay Hoon” (I am Time), echoed across homes and became instantly recognizable. The show not only introduced complex characters like Arjuna, Krishna, and Draupadi to millions but also explored themes of justice, loyalty, and the consequences of ambition. The visually striking scenes and the powerful script ensured that Mahabharat became a benchmark for television storytelling in India.
The impact of these mythological series extended beyond their broadcast. They nurtured a resurgence of interest in Indian culture and heritage, making mythology accessible to people who might not have had the chance to read these epics. The portrayal of gods and legendary figures fostered a deeper connection with religious traditions and became a unifying force in a nation characterized by its vast diversity. It was not uncommon for families to discuss the episodes, drawing parallels with contemporary life and finding moral guidance from the stories. The shows provided a shared language of cultural and ethical references, bridging generational gaps as grandparents, parents, and children watched and reflected together.
Doordarshan’s 90s lineup was not limited to mythological content. It offered a variety of programs that catered to all age groups, creating a comprehensive viewing experience. For children, there was Malgudi Days, based on R.K. Narayan’s beloved stories, which depicted the simple joys and lessons of childhood in a small South Indian town. The show’s charm lay in its relatable characters and the subtle way it captured everyday life, leaving audiences with a sense of nostalgia and warmth. Likewise, Shaktimaan, India’s first superhero series, captured the imagination of young viewers, weaving moral lessons with the adventures of its protagonist. Mukesh Khanna’s portrayal of Shaktimaan inspired a generation, promoting messages of courage, honesty, and integrity.
Doordarshan’s variety extended to socially relevant dramas such as Hum Log and Buniyaad, which addressed issues of family, societal change, and the impact of historical events. These shows highlighted human emotions and societal dynamics, providing both entertainment and meaningful commentary on contemporary challenges. The narrative of Buniyaad, which centered around the trauma of the Partition, gave viewers a lens into a turbulent part of Indian history, fostering understanding and empathy. The focus on such socially conscious storytelling set Doordarshan apart as a broadcaster that valued substance over spectacle.
Educational and cultural programs were another cornerstone of Doordarshan’s 90s success. Surabhi, hosted by Renuka Shahane and Siddharth Kak, was an iconic show that celebrated India’s cultural diversity. Through its engaging format, Surabhi showcased lesser-known traditions, festivals, and crafts from various parts of the country, broadening viewers’ understanding of India’s rich cultural tapestry. Similarly, Turning Point, a science show, presented complex scientific ideas in an accessible manner, nurturing curiosity among the youth and laying the groundwork for a more informed generation.
Musical programs like Chitrahaar and Rangoli were beloved features of Doordarshan’s lineup, presenting a blend of classic and contemporary Bollywood songs. These shows were much-anticipated weekly events that introduced audiences to new music and kept the spirit of Indian cinema alive in homes. The combination of music and visuals created moments of shared enjoyment, reinforcing Doordarshan’s reputation as a broadcaster that brought families together.
Doordarshan’s news and current affairs programming also stood out for its credibility and straightforward delivery. Anchors like Salma Sultan and Rini Simon Khanna were household names, known for their composed and reliable news presentations. This was an era when news was presented without the sensationalism that would come to characterize later years. The bulletins were factual, devoid of unnecessary theatrics, and served as a trusted source of information for millions. In addition, Doordarshan’s telecasts of significant national events, such as Republic Day parades and election results, reinforced its role as a critical link between the state and the people.
The influence of Doordarshan’s 90s programming also extended to sports, with cricket broadcasts becoming a national event. Matches featuring the Indian cricket team, especially during World Cups, turned into moments of collective national fervor. The voice of veteran commentators and the excitement of live telecasts made cricket not just a sport but a unifying national experience. The sight of families, friends, and neighbors huddled around a television, cheering for the Indian team, became emblematic of the era’s communal spirit.
As the decade progressed and private channels entered the television landscape, the monopoly of Doordarshan began to face competition. Channels offering varied and often more glamorous content started to attract audiences, introducing them to global programming trends and more niche forms of entertainment. However, even as the media landscape evolved, the golden 90s of Doordarshan left a legacy that remains unparalleled. It was a time when television was more than a solitary or personalized activity—it was a shared experience that fostered connections, encouraged dialogue, and celebrated the nation’s cultural and moral fabric.
The era was a reminder of the power of storytelling that prioritized authenticity, community, and values. The success of Ramayan, Mahabharat, and other shows from Doordarshan’s 90s lineup is a testament to the broadcaster’s ability to resonate deeply with its audience. Decades later, the nostalgia for those years endures, reflecting the profound impact that Doordarshan had on shaping Indian television and the collective memories of its viewers. The golden 90s of Doordarshan were not just an era of programming; they were a chapter in the nation’s cultural history, one that continues to inspire reverence and fond memories.
—(The Writer is Editor in Chief of the Assamese E-Megazine SAMPROTIK)
